If storage capacity is an issue for you, then SSDs are likely not the way to go. If you’re in the market for an SSD though, there are plenty of options out there. RAW files from a RED or ALEXA might call for a different solution. Even to this day, it’s rare to find an SSD that has larger than 1TB of capacity on it, which means you need to be working with a reasonable amount of footage if you plan on going down this path. With all that said, SSD drives are fairly expensive and don’t offer a tremendous amount of capacity. Not to mention their small footprint makes them ideal for traveling, doing DIT work, or archiving.
A high-end SSD will give you up to 500 MB/s in performance (or more), which is several times better than your typical 7200 RPM 3.5” drive. If you’re a single editor working alone on reasonably sized project, SSD drives very well could be the way to go. While it may seem confusing at first, nearly all projects or post-production environments call for one of the following three setups: 1. vfx), sharing requirements, and all sorts of other variables come into play when choosing the right system. The codec/resolution of your footage, type of work you’ll be doing (editing vs. Obviously there are a number of factors that will dictate how fast your storage system needs to be. But when it comes to storage - which is arguably one of the biggest speed factors in the editing world - things are often overlooked. We want the fastest computers, the best graphics cards, the most RAM, etc. Here are some options that will work in most video editing scenarios. Picking the right hard drive or RAID system is one of the most important choices video editors can make.
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